2017: Year in Review
2017 was a bumpy year personally and professionally, but I learned a ton and I’m excited to use my skills to climb another rung on the professional acting ladder in 2018. Here’s a recap:
After three months of waking up completely drained, I decided to buy a new bed. I bought a LEESA and I’m glad I did. For those of you considering whether or not a bed in a box is for you, I can tell you I’m getting deep sleep (lot of vivid dreams) and the LEESA sleeps cooler than a traditional mattress. It’s the one change I’ve made this year that is having the greatest effect on my life.
I spent time processing why I do what I do with a therapist. A couple big takeaways: First, I can only control how I respond to situations. Second, I can’t project expectations on others and get disappointed when they don’t meet those expectations, especially when those expectations were never communicated. Third, I’m learning to set better boundaries. Boundaries, in particular, have been especially helpful in reducing stress and focusing my time and energy on projects that will enrich and excite me. Fourth, I’m listening to my body and doing more self-care. And I learned a lot about myself, which, considering my body is my instrument for acting, has been extremely helpful in learning more about my personal process.
I’ve been studying improvisational acting at AdlerImprov Acting Studio for four years now and it’s transformed my acting. I feel more present and connected with my partner, more comfortable in chaos, and more spontaneous and creative. In the last six months, in particular, I’ve gotten exceptionally good at following a focus and letting it lead me instead of manufacturing or inventing. Ric Murphy, who currently teaches the class on Sunday, has been teaching acting for 40 years and helped create the professional actor program at DePaul University’s Theater School. He has taught some fantastic actors, including John C. Reilly, Judy Greer, Gillian Anderson. Under his and Rob Adler‘s tutelage, I’ve grown quite a bit and am very excited to use my sharpened tools in the New Year.
AdlerImprov Youth Summer Intensive
I co-taught the AdlerImprov Youth Summer Intensive with Amie Farrell. Amie’s a great teacher, coach, and actor, so it was an honor to work with her. I learned a ton about teaching, acting, and directing. First, “kids” have tremendous imaginations and they’ll surprise you with their creativity. Second, I realized how many choices are available in a script after sitting in the director’s chair. Third, I learned what it’s like to collaborate and how to use an actor’s inspiration to feed other takes. Teach if you can. It’s a highly rewarding experience.
After three years of using the same headshots, I needed new ones. I worked with Sage Kirkpatrick at Fresh Look Photography and was extremely pleased with the results.
I am now represented by Stewart Talent Los Angeles. Stewart was founded in Chicago and opened up it’s LA office three years ago. I’m grateful to work with them and hope they’ll take me on theatrically.
I wanted to get back into an improv comedy class and my commercial agent suggested casting directors are always looking for Groundlings or UCB on the resume, so I enrolled in Groundlings Basic. It wasn’t for me. I felt like it was too heady – start with a 10++ emotion, and activity, and get out the who, what, where in the first three lines of dialogue. I’m an Annoyance guy. If you’ve read Mick Napier’s book, Improvise: Scene from the Inside Out, the Annoyance doesn’t believe the “rules of improv” make a good scene. It takes a different approach, one that I prefer.
A couple years ago, a casting director suggested I’d benefit from The Alexander Technique. This year, I explored it for 10 weeks and I’d highly recommend it.
The goal of the technique is to “to develop the ability to avoid unnecessary muscular tension by retraining physical movement reactions.” In layman’s terms – break body habits/tension to improve overall body efficiency. I feel like I benefited in a couple different ways:
I carry myself with more confidence and presence.
I felt my wind pipe open, which means I’m using my voice more effectively and breathing more comfortably.
I learned some simple tips and tricks to use to prepare for auditions.
I’m more efficient. I brush my teeth different. I wash my dishes differently. I walk more efficiently.
AFI Directors & Meisner
Rob Spera puts his AFI directing students through a five-week Meisner crash course to encourage them to write more personal scripts and find their creative voice. To kickstart the crash course, Rob brings in a handful of Meisner trained actors to help with the repetition, emotional preparation and activities. This is the third year in a row I’ve participated in this initiative.
Pilot Season Prep
I took AdlerImprov Acting Studio’s Pilot Season Prep class with veteran working actors Amie Farrell and Brian Kimmet. While I don’t do a ton of theatrical auditions at the moment, I know it’s a valuable skill I’ll need to have as I move to the next run of the ladder. I took the class last year and saw how. I feel more relaxed and composed in the audition itself. I’m making stronger choices based on what the script is telling me. And, most importantly, I’m putting less pressure on myself to “get it right.” The one big takeaway this year is if I’m in the ball park, I’ll get a second take and I can use that take to play even more.
All in all, this year was another solid year of growth and exploration into my creativity, spontaneity, and presence. And I’m better actor for it. Looking forward to applying all my tools in 2018!